Feldschuh Gallery - Henri Cartier-Bresson, Henri Matisse, Vence, France, 1944
US$28,500.00 One of the most original, accomplished, and influential figures in the history of photography, Henri Cartier-Bresson (1908-2004) takes on another famed Henri in this 1944 photograph. Captured in black and white, Matisse-the wild Fauve-is stripped of his normal abundance of color as he poses for a portrait while convalescing at home on the French Riviera. He gently holds a white dove, while sketching the bird. Three others perch on a cage in the foreground. Here, we see a portrait of an artist in a medium so different from his own.DATE:1944, printed laterMEDIUM:Gelatin silver printDIMENSIONS:11.5 inches by 17.4 inches (unframed)*This item requires special delivery. We will contact you within one business day to discuss shipping arrangements and fees. Please contact us for a quote.*
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Feldschuh Gallery - Ralph Gibson, Malibu [woman in bikini] 1972
US$6,000.00 Ralph Gibson's _Malibu (woman in a bikini)_epitomizes the fluidity and freedom that prevailed on the West Coast in the 1970s. The figure evidently lounges on the beach, sunbathing her already tanned body. The macromé swimsuit she wears creeps to reveal a nipple, while her hand angles gently toward her hips. With this image, Gibson plays with light and shadow...
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Feldschuh Gallery - Edward Weston, Nude #62N (Dancer's Knees), 1927
US$10,000.00 Form and flexibility take flight in this 1927 photograph by Edward Weston (1886-1958), a master of photography best known for his sharply focused images of natural forms, landscapes, and nudes. Here Weston presents a woman squatting, with her weight resting on her heels. Her muscles are highlighted in a frame that captures only her torso and below: a strategic...
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Schellmann Art - Rosemarie Trockel, Falling Blue, Rising Red, 1998
US$2,750.00 German artist Rosemarie Trockel takes on perception and color theory in _Falling Blue, Rising Red_. This pair of heliogravures is the result of the oldest procedure for reproducing photographic images, a two-step process of etching the image onto a copper plate and then printing the image onto paper using inks. Here, Trockel foregoes the image for color. The title...
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Feldschuh Gallery - Kiichi Asano, Maikos Gathered at Commencement, 1956
US$5,000.00 _Maikos Gathered All Together at the Commencement Ceremony_ by Japanese photographer Kiichi Asano (1914-1993) is part of a series documenting life in Gion, Kyoto's most famous geisha district. Many of these photos center around young women in training to become_maikos_: the apprentice to a _geiko_, a woman trained in music, dance and, entertaining. As one of the last works...
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Feldschuh Gallery - Wingate Paine, Untitled, 1964-1965
US$6,955.00 The publication of Wingate Paine's illustrious and groundbreaking book _Mirror of Venus_-complete with text by Françoise Sagan and Federico Fellini-this image became synonymous with the Sexual Revolution of the 1960s. In the untitled photograph, a beautiful woman throws her head back, covering a portion of her face with her arm. She is lost is a pure moment of ecstasy.DATE:...
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Feldschuh Gallery - Robert Doisneau, Mademoiselle Anita, 1951
US$12,500.00 A pioneer of photojournalism and an expert at capturing the quiet, unassuming moments of quotidian life, Robert Doisneau (1912-1944) is considered the preeminent photographer of Paris between the Wars and of the stylish café society epitomized in this 1951 work, taken at a cabaret on the Rue de Lappe. The elegant figure of Mademoiselle Anita sits in a corner...
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Feldschuh Gallery - Robert Doisneau, La Fuite des Maries, 1951
US$13,075.00 Robert Doisneau's 1951 _La Fuite des Maries_captures an eloping couple on the run. Escaping responsibility and expectation, they move through haystacks with a suitcase in tow. Together the blurred figures are romantically and mysteriously whisked away by moonlight. Doisneau, perhaps best known for his iconic _Le Baiser de l'Hotel de Ville_ (1950), was a master at capturing unique scenes...
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Feldschuh Gallery - Masao Yamamoto, A Box of Ku #191
US$1,500.00 Japanese photographer Masao Yamamoto's formal training as a painter is evident in this work from _A Box of Ku_, his series of visual haikus notable for their small scale and mesmerizing patina. He captures a serene view of the Japanese countryside, with a waterfall that churns in a sea of leafy foliage. The light reflects and refracts, nearly distorting...
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Feldschuh Gallery - Masao Yamamoto, Nakazora #1041
US$1,500.00 A young woman stands nude, her head turned, in this work from Masao Yamamoto's _Nakazora_series of small-scale photographs that unfold as waking dreams. The subject gracefully begins to crouch as her arms twist behind her. The apparent motion blurs all but her feet, which come into sharp focus. Above her right shoulder rests a small bouquet of dried flowers,...
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Feldschuh Gallery - Masao Yamamoto, Nakazora #848
US$1,500.00 An ominous hand sheathed in a black leather glove rises behind a row of plants in this work from Masao Yamamoto's _Nakazora_ series of small-scale photographs that unfold as waking dreams. The print is deliberately ripped along two edges, rendering the subject anonymous and leaving the scene open for interpretation: is the hand poised to destroy the tallest bloom...
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Feldschuh Gallery - Masao Yamamoto, Nakazora #1213
US$3,300.00 Masao Yamamoto evokes memory, childhood, and innocence in his work from his _Nakazora_series of small-scale photographs that unfold as waking dreams. He captures a grainy, old photograph of a child's hand reaching upwards. Placed atop this image is that of a darkly hued butterfly. It seems that the hand may be able to catch the elusive insect, but only...
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Feldschuh Gallery - Masao Yamamoto, Nakazora #1189
US$1,800.00 This work from Masao Yamamoto's _Nakazora_series of small-scale photographs that unfold as waking dreams presents two framed images: one the negative of a white dress and the other a nude female standing in a doorway while peering out a nearby window. The frames sit in opposition, facing different directions, yet Yamamoto's lens has captured both, demarcating the span of...
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